The current exhibition at Musée Rodin is devoted to video artists who sought to emphasize the relation to the body in their artistic practice, particulary through performance. The third artist featured in the series is Sanja Ivekovic.

In the 1970s and 1980s, she developed an artistic practice which was far removed from “official art” and the predominant tendencies in the former Yugoslavian communist regime. Using photographic collage, performance or video, she questions the way feminine identity builds up itself compared to the social and political spheres, and reciprocal influences between public imaginery and intimate notions.